Friday, November 26, 2010
No.9
CHARLES DICKENS (1812-1870) is still one of the most popular authors of the 19th century.
When still a child, he had to work as a drudge in a London blacking factory, while his father was in a debtors’ prison. For a few years he was a lawyer’s clerk and then a newspaper reporter.
Most of his novels appeared first of all as serials. Their appeal was largely due to the memorable characters he created, but underneath the humour there often lay the darker theme of social evils in Victorian times.
This is a short excerpt from David Copperfield, the book which contains many autobiographical incidents and characters.
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I AM SENT AWAY FROM HOME
We might have gone about half a mile, and my pocket-handkerchief
was quite wet through, when the carrier stopped short. Looking out
to ascertain for what, I saw to MY amazement Peggotty burst from
a hedge and climb into the cart. She took me in both her arms, and
squeezed me to her stays until the pressure on my nose was
extremely painful, though I never thought of that till afterwards
when I found it very tender. Not a single word did Peggotty speak.
Releasing one of her arms, she put it down in her pocket to the
elbow, and brought out some paper bags of cakes which she crammed into my pockets, and a purse which she put into my hand, but not one word did she say. After another and a final squeeze with both arms, she got down from the cart and ran away; and, my belief is, and has always been, without a solitary button on her gown. I picked up one of several that were rolling about, and treasured it as a keepsake for a long time.
The carrier looked at me, as if to inquire if she were coming back.
I shook my head, and said I thought not.
Having by this time cried as much as I possibly could, I began to
think it was of no use crying any more, especially as neither
Roderick Random nor that Captain in the Royal British Navy had
ever cried, that I could remember, in trying situations. The
carrier, seeing me in this resolution, proposed that my pocket-
handkerchief should be spread upon the horse's back to dry. I
thanked him, and assented; and particularly small it looked, under
those circumstances.
I had now leisure to examine the purse. It was a stiff leather
purse with a snap, and had three bright shillings in it, which
Peggotty had evidently polished up with whitening for my greater
delight. But its most precious contents were two half-crowns
folded together in a bit of paper on which was written in my
mother's hand, “For Davy, with my love.”
I was so overcome by this, that I asked the carrier to be so good as to reach me my pocket-handkerchief again; but he said he thought I had better do without it, and I thought I really had, so I wiped my eyes on my sleeve and stopped myself.
For good, too; though, in consequence of my previous emotions, I
was still occasionally seized with a stormy sob.
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After we had jogged on for some little time, I asked the carrier if he was going all the way.
“All the way where?” inquired the carrier.
“There,” I said.
“Where's there?” inquired the carrier.
“Near London,” I said.
“Why that horse,” said the carrier, jerking the rein to point him
out, “would be deader than pork afore he got over half the ground.”
“Are you only going to Yarmouth then?” I asked.
“That's about it,” said the carrier. “And there I shall take you
to the stage-cutch, and the stage-cutch that'll take you to -
wherever it is.”
As this was a great deal for the carrier (whose name was Mr.
Barkis) to say - he being, as I observed in a former chapter, of a
phlegmatic temperament, and not at all conversational - I offered
him a cake as a mark of attention, which he ate at one gulp,
exactly like an elephant, and which made no more impression on his
big face than it would have done on an elephant's.
“Did SHE make 'em, now?” said Mr. Barkis, always leaning forward,
in his slouching way, on the footboard of the cart with an arm on
each knee.
“Peggotty, do you mean, sir?”
“Ah!” said Mr. Barkis. “Her.”
“Yes. She makes all our pastry, and does all our cooking.”
“Do she though?” said Mr. Barkis.
He made up his mouth as if to whistle, but he didn't whistle. He
sat looking at the horse's ears, as if he saw something new there;
and sat so, for a considerable time.
By and by, he said: “No sweethearts, I b'lieve?”
“Sweetmeats did you say, Mr. Barkis?” For I thought he wanted
something else to eat, and had pointedly alluded to that
description of refreshment.
“Hearts,” said Mr. Barkis. “Sweet hearts; no person walks with
her!”
“With Peggotty?”
“Ah!” he said. “Her.”
“Oh, no. She never had a sweetheart.”
“Didn't she, though!” said Mr. Barkis.
Again he made up his mouth to whistle, and again he didn't whistle,
but sat looking at the horse's ears.
“So she makes,” said Mr. Barkis, after a long interval of
reflection, “all the apple parsties, and doos all the cooking, do
she?”
I replied that such was the fact.
“Well. I'll tell you what,” said Mr. Barkis. “P'raps you might be
writin' to her?”
“I shall certainly write to her,” I rejoined.
“Ah!” he said, slowly turning his eyes towards me. “Well! If you
was writin' to her, p'raps you'd recollect to say that Barkis was
willin', would you?”
“That Barkis is willing,” I repeated innocently. “Is that all the
message?”
“Ye-es,” he said, considering. “Ye-es. Barkis is willin'.”
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Charles Dickens is buried in Poets Corner of Westminster Abbey. The inscription on his tomb reads: “He was a sympathiser to the poor, the suffering, and the oppressed, and by his death one of England’s greatest writers is lost to the world.”
The complete David Copperfield can be read online at -
http://www.bartleby.com/307/
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Next Friday on A TOUCH OF CULTURE - What HAVE they done to Johann Sebastian?
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Monday, November 15, 2010
Friday 19th November
No.8
THE PRE-RAPHAELITES
In 1848 three young British artists rebelled against the academic style of painting and founded the Pre-Raphaelite Brotherhood.
The eldest of the trio was William Holman Hunt who was just 21 and the others were John Everett Millais and Dante Gabriel Rossetti.
What they proposed was a return to the style of the Italian painters who had lived prior to Raphael. They wanted to find again the simple naturalism of artists like Fra Angelico and Botticelli.
So, avoiding the dark shadows which were typical of their contemporaries, they used bright colours on white backgrounds.
The Brotherhood was later joined by a number of other artists who produced a huge number of paintings varying in subject matter and in style.
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Here are three paintings by William Holman Hunt - Amaryllis, The Shadow of Death, Isabella and the Pot of Basil
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Three paintings by John Everett Millais - Vanessa, The Vale of Rest, The North West Passage
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Three paintings by Dante Gabriel Rossetti - A Vision of Fiametta, Found, La Bella Mano
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A second series of Pre-Raphaelite paintings begins on Tuesday 23rd November at - http://myownselection.blogspot.com/
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THE PRE-RAPHAELITES
In 1848 three young British artists rebelled against the academic style of painting and founded the Pre-Raphaelite Brotherhood.
The eldest of the trio was William Holman Hunt who was just 21 and the others were John Everett Millais and Dante Gabriel Rossetti.
What they proposed was a return to the style of the Italian painters who had lived prior to Raphael. They wanted to find again the simple naturalism of artists like Fra Angelico and Botticelli.
So, avoiding the dark shadows which were typical of their contemporaries, they used bright colours on white backgrounds.
The Brotherhood was later joined by a number of other artists who produced a huge number of paintings varying in subject matter and in style.
-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-
Here are three paintings by William Holman Hunt - Amaryllis, The Shadow of Death, Isabella and the Pot of Basil
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Three paintings by John Everett Millais - Vanessa, The Vale of Rest, The North West Passage
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Three paintings by Dante Gabriel Rossetti - A Vision of Fiametta, Found, La Bella Mano
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A second series of Pre-Raphaelite paintings begins on Tuesday 23rd November at - http://myownselection.blogspot.com/
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Sunday, November 7, 2010
Friday November 12th
No.7
A VISIT TO KYOTO
Kyoto is said to be one of the best preserved cities in Japan. Situated on the island of Honsu, it was the capital till 1868 when the honour was passed to Tokyo.
With a population of nearly 1.5 million, it has become famous for its many palaces, gardens, fine architecture, and temples and shrines. In order to preserve these sites, Kyoto was spared from air raids in World War II. In 1994 it was made a World Heritage Site by UNESCO.
Of special interest are the Kyoto Imperial Palace and the Sento Imperial Palace which for hundreds of years were the homes of the Emperors.
There is a huge number of very beautiful religious buildings including 1600 Buddhist Temples and 400 Shinto Shrines. The photos which I show here can give just a glimpse of the splendour of those structures.
1) This is the Bentendo at Daigo-ji, a Shingon Buddhist Temple founded in 874. A bentendo is a temple dedicated to Benzaiten the Goddess of water, purity, eloquence, luck, protection, wealth and good fortune.
2) The Pagoda at Daigo-ji is the oldest building there, dating from 951.
3) Kinkaku-ji, the Golden Pavilion, is a 1397 Zen Buddhist temple. The top two floors are covered in gold leaf.
4) The Kiyomizu-dera temple is a wooden structure built on the side of a mountain. It has its origins in 798, but the present building is dated 1633. The Japanese have a saying “to jump off the stage at Kiyomizu” - the English equivalent is “to take the plunge.” It appears that at one time certain brave (or foolish) people would jump from the stage there, a 13m jump, and those who survived would have their wish granted.
5) This is the Kondo or main hall at Daigo-ji.
Those photographs are shown under the CREATIVE COMMONS ATTRIBUTION-SHARE ALIKE license, with special thanks to the photographers Ally Waterman for No.2 and David Monniaux for No.4
To conclude, this video of colourful views of Japanese gardens has been devised by eqc01942.
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A VISIT TO KYOTO
Kyoto is said to be one of the best preserved cities in Japan. Situated on the island of Honsu, it was the capital till 1868 when the honour was passed to Tokyo.
With a population of nearly 1.5 million, it has become famous for its many palaces, gardens, fine architecture, and temples and shrines. In order to preserve these sites, Kyoto was spared from air raids in World War II. In 1994 it was made a World Heritage Site by UNESCO.
Of special interest are the Kyoto Imperial Palace and the Sento Imperial Palace which for hundreds of years were the homes of the Emperors.
There is a huge number of very beautiful religious buildings including 1600 Buddhist Temples and 400 Shinto Shrines. The photos which I show here can give just a glimpse of the splendour of those structures.
1) This is the Bentendo at Daigo-ji, a Shingon Buddhist Temple founded in 874. A bentendo is a temple dedicated to Benzaiten the Goddess of water, purity, eloquence, luck, protection, wealth and good fortune.
2) The Pagoda at Daigo-ji is the oldest building there, dating from 951.
3) Kinkaku-ji, the Golden Pavilion, is a 1397 Zen Buddhist temple. The top two floors are covered in gold leaf.
4) The Kiyomizu-dera temple is a wooden structure built on the side of a mountain. It has its origins in 798, but the present building is dated 1633. The Japanese have a saying “to jump off the stage at Kiyomizu” - the English equivalent is “to take the plunge.” It appears that at one time certain brave (or foolish) people would jump from the stage there, a 13m jump, and those who survived would have their wish granted.
5) This is the Kondo or main hall at Daigo-ji.
Those photographs are shown under the CREATIVE COMMONS ATTRIBUTION-SHARE ALIKE license, with special thanks to the photographers Ally Waterman for No.2 and David Monniaux for No.4
To conclude, this video of colourful views of Japanese gardens has been devised by eqc01942.
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Friday, November 5, 2010
No.6
Yehudi Menuhin 1916-1999 violinist, conductor, teacher
Born in New York, he was to become one of the greatest violinists of the 20th century.
His sisters became famous too - Hephzibah was a concert pianist and civil rights worker, and Yalta was a painter, pianist and poet.
The music school he founded in Stoke d’Abernon in Surrey, England in 1962 became world-famous.
In 1965 he was given an honorary knighthood and this was upgraded in 1985 to a KBE when he became a British citizen.
As an act of reconciliation, he was the first Jewish musician to perform in Germany after the war, when in 1947 he appeared with the Berlin Philharmonic Orchestra.
His pupils included Nigel Kennedy and Nicola Benedetti.
In 1992 he was made an ambassador for UNESCO, and the following year he was given a seat in the House of Lords as Baron Menuhin of Stoke d’Abernon.
It’s interesting how he got his name. When his parents were looking for rented accommodation in New York, one place had impressed them. Having shown them round, the landlady then told them that the people who lived around there were so nice, and that she would never of course take in Jews. The Menuhins at once left and found other accommodation. When their son was born, his mother announced that his name would be Yehudi - which means Jew!
When in 1991 he was awarded the Wolf Prize for “achievements in the interest of mankind and the friendly relations amongst peoples”, his acceptance speech in the Israeli Knesset included the following condemnation of the occupation of the West Bank.
“This wasteful governing by fear, by contempt for the basic dignities of life, this steady asphyxiation of a dependent people, should be the very last means to be adopted by those who themselves know too well the awful significance, the unforgettable suffering of such an existence. It is unworthy of my great people, the Jews, who have striven to abode by a code of moral rectitude for some 5,000 years, who can create and achieve a society for themselves such as we see around us, but can yet deny the sharing of its great qualities and benefits to those dwelling amongst them.”
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Finally four short videos show something of his talent . . . .
It’s likely that this piece - a rondo by Spohr - was recorded when he was about 9 or 10 years old.
Uploaded by “Speedbid744”
This is from 1947, Moto Perpetuo by Paganini with Adolph Baller at the piano. Uploaded by “adamwas“
Adolph Baller is again the accompanist here. The music is “Salut d’Amour by Edward Elgar. Uploaded by “PurelyEssential”
This video is part of the wonderful occasion when Yehudi Menuhin and Stephane Grappelli met on the Michael Parkinson show. Uploaded by “fostexD160”
Born in New York, he was to become one of the greatest violinists of the 20th century.
His sisters became famous too - Hephzibah was a concert pianist and civil rights worker, and Yalta was a painter, pianist and poet.
The music school he founded in Stoke d’Abernon in Surrey, England in 1962 became world-famous.
In 1965 he was given an honorary knighthood and this was upgraded in 1985 to a KBE when he became a British citizen.
As an act of reconciliation, he was the first Jewish musician to perform in Germany after the war, when in 1947 he appeared with the Berlin Philharmonic Orchestra.
His pupils included Nigel Kennedy and Nicola Benedetti.
In 1992 he was made an ambassador for UNESCO, and the following year he was given a seat in the House of Lords as Baron Menuhin of Stoke d’Abernon.
It’s interesting how he got his name. When his parents were looking for rented accommodation in New York, one place had impressed them. Having shown them round, the landlady then told them that the people who lived around there were so nice, and that she would never of course take in Jews. The Menuhins at once left and found other accommodation. When their son was born, his mother announced that his name would be Yehudi - which means Jew!
When in 1991 he was awarded the Wolf Prize for “achievements in the interest of mankind and the friendly relations amongst peoples”, his acceptance speech in the Israeli Knesset included the following condemnation of the occupation of the West Bank.
“This wasteful governing by fear, by contempt for the basic dignities of life, this steady asphyxiation of a dependent people, should be the very last means to be adopted by those who themselves know too well the awful significance, the unforgettable suffering of such an existence. It is unworthy of my great people, the Jews, who have striven to abode by a code of moral rectitude for some 5,000 years, who can create and achieve a society for themselves such as we see around us, but can yet deny the sharing of its great qualities and benefits to those dwelling amongst them.”
-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-
Finally four short videos show something of his talent . . . .
It’s likely that this piece - a rondo by Spohr - was recorded when he was about 9 or 10 years old.
Uploaded by “Speedbid744”
This is from 1947, Moto Perpetuo by Paganini with Adolph Baller at the piano. Uploaded by “adamwas“
Adolph Baller is again the accompanist here. The music is “Salut d’Amour by Edward Elgar. Uploaded by “PurelyEssential”
This video is part of the wonderful occasion when Yehudi Menuhin and Stephane Grappelli met on the Michael Parkinson show. Uploaded by “fostexD160”
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